Showing posts with label Vivian Leigh. Show all posts
Showing posts with label Vivian Leigh. Show all posts

Tuesday, September 1, 2009

A Streetcar Named Desire (1951)

Sex, sin and Southern Belles collide in New Orleans as Vivian Leigh and Marlon Brando clash in a twisted tale based on a Tennessee Williams' play.

Vivian Leigh plays Blanche DuBois, a faded Southern Belle who has moved to New Orleans to live with her sister Stella (Kim Hunter) and her brutish husband Stanley (Marlon Brando). Unfortunately for Blanche, she's a little bit off-kilter and the film basically chronicles her her tragic downward spiral, which includes her new beau Mitch (Karl Malden).

The film itself is light on plot, but that's only because it serves as an amazing showcase for some absolutely fantastic performances from all 4 main actors.

Let's start with Vivian Leigh who delivers one of my absolute favorite performances ever (And it won her a second Oscar). Blanche is almost like a fallen Scarlett O'Hara, only crazier. She makes a big show of being a "lady" and being better than the squalor that her sister and brother-in-law live in, when in fact she has far worse demons in her past, but she makes you feel so sorry for her character, watching the world she has constructed for herself tumbling around her. It's almost like a performance in a performance, with the "Well, I do declare" Blanche taking control most of the time, only for cracks to appear and widen, exposing the troubled and unstable woman beneath.

Marlon Brando plays Stanley almost as if he were a cross between a child and an animal. The famous "Stella!" scene almost feels like a child calling for its mother, and he's filled with childish spite towards Blanche, always getting angry with her for appearing to think she's better than he is. The rest of the time, he's almost like a gorilla, skulking around the house and oozing animal sexuality that Stella almost seems addicted to. It's a shockingly natural performance in a time where acting was still theatrical and mannered.

And with that, it's a good time to point out how interesting it his that Vivian Leigh and Marlon Brando were paired in this film, since they are obviously from two different schools of acting, but it works brilliantly as both character represent two different eras. Blanche calls up the old fashioned gentility of the South whereas Stanley is the new-found worker of the era, a man who comes home and demands beer and sex from his wife. Both characters seem to be from completely different worlds, so their fireworks together spark and crackle.

Poor Kim Hunter has to serve as the mediator between the two (though she did win an Oscar so she's not that deserving of pity). It's a role that is much less showy than the two leads, but Hunter makes Stella an interesting character. She is torn between her crazed sister and her abusive husband who she seems to crave sexually, it's a dynamic that is not obvious, because Kim Hunter keeps it on the back burner, allowing the heavy flames to exist between Brando and Leigh.

Karl Malden (Who also won an Oscar) plays Mitch, the single, loser-ish friend of Stanely who becomes infatuated with Blanche, seeing her as a "real lady". His mother, who always hoped to see him settle down, is dying, and he sees Blanche as someone who could grant his mother's wish. Unfortunately for him, their romance is doomed from the start as Blanche begins to lose her grip on reality. Malden makes Mitch pitiable, and you ache for him when he discovers the kind of woman Blanche really is.

I know I haven't spokem much of the writing, plot of direction (though, I usually don't comment on those very much anyway), but in this film, there is a particular reason, it's almost an actor's showcase. It's 4 insanely talented individuals playing fully developed, well-written characters, and from someone who loves intimate films with a small number of characters, you can't get any better than that.

Wednesday, July 29, 2009

Gone with the Wind (1939)

Sorry I haven't posted anything in a while. My usual method when it comes to posting is to watch whatever movie I have from Netflix, make an entry about it and then do an entry about the next film I get, but it's taken me a while to watch my newest movie (The Lady Eve, for those interested).

So as a way of paying you people back (and celebrating a new subscriber, because I'm a WHORE), I'm going to make an entry about THE Hollywood movie. The blockbuster to end all blockbusters featuring the film Diva to end all film Divas.

Ok, do I really need to go into the plot of the movie. It's the South, Vivian Leigh is Scarlett O'Hara, a prissy southern belle infatuated with the oddly British Ashley Wilkes, but instead Ashley goes all Southern and marries his cousin Melanie. So Scarlett decided to marry a boy of her own, only for him to get killed when the Civil War breaks out. Then she begins a long love/hate relationship with Rhett Butler (Clark Gable).

Really, everyone knows the plot, everyone knows the quotes, and hopefully everyone knows that Scarlett punched that annoying Prissy right in the back of the head.

But really, the film's pretty good once you dispel all the Hollywood legend surrounding it. The sets and costumes all are fantastic and Vivian Leigh is brilliant in the role, as is everyone else in the movie, which goes without saying. Plus, it's full of b*tchery as Scarlett acts like a petty child who HAS to get what she wants.

If there's any major flaw to the film, it's the second half. The first half is great as it involves a Civil War backdrop and is very epic, but then it becomes very closed off and intimate, and pretty much becomes a big soap opera, but it's still a pretty good soap opera (But when am I going to bash the Soap Opera? Just look at the name of my blog).

I know that it's really hard to do a film like this justice when it comes to discussing it, because it's become a huge part of pop culture, but there's not a lot I can say about the movie that people won't already know. They know the movie is great (or people say it is), they know what it's about and so on and so forth. But for those of you that haven't seen it, please do. It's a very important movie that, regardless of it's quality, needs to be seen due to it's impact on film as a whole.